We presented the first issue of Good Morning Italy, the new English-language magazine from the ilNewyorkese network, with an event at the Italian American Museum in Little Italy, New York. We chose the Italian American Museum because the institution, founded by Dr. Joseph Scelsa, has long worked to preserve the history of Italians in the United States, in one of the neighborhoods that more than almost any other helped shape the image of Italian immigration in New York. Presenting a new magazine dedicated to contemporary Italy and the Italian American community there meant bringing together the memory of a historic presence and the attempt to tell what it means today to be Italian, or to feel connected to Italy, outside Italy’s borders.

The evening was moderated by the network’s founder, Davide Ippolito, and by Premium Pete, podcast pioneer and key figure in the media world. The conversation touched on roots, family, immigration, ambition and belonging, but also on the way Italian identity is reworked by those who live and work in international contexts. This is an important point, because when people talk about Italian identity abroad, there is always the risk of remaining stuck in a nostalgic or purely celebratory representation, made up of pasta, the sea, the sun, a leaning tower or a very large amphitheater, and little else. Good Morning Italy tries to move in another direction: telling stories of people, paths and communities, without reducing them to symbols.

Among the speakers was Dr. Joseph Scelsa, who spoke about the museum’s role as a place of preservation but also of generational passage. The idea is that Italian American history is not only something to be protected in archival form, but also material that new generations can reread and use to better understand their place in American society. On a different level, Italian-American tenor Christopher Macchio, one of the world’s leading tenors, who in 2025 had the honor of singing the American national anthem at the inauguration of Donald Trump’s presidency, spoke about Italian music as an emotional and cultural language, able to hold together family memory and public recognition. Model Elena Azzaro also took part, contributing a reflection on fashion and entertainment, and explaining how the Italian image continues to circulate in highly competitive fields, where elegance and identity can easily become empty formulas if they are not supported by a real path.

Armand Assante, one of the most important and celebrated Italian-American actors of all time, winner of an Emmy Award for his portrayal of John Gotti in the series Gotti, and a four-time Golden Globe nominee, also attended the presentation, linking the theme of identity to discipline and the construction of a career. During the event, a video message was also shown from Fabrizio Brienza, the Italian actor, model and influencer based in New York, who was chosen as the cover figure. The cover story follows his path between Italy, entertainment and New York nightlife: a trajectory built outside the most predictable routes, which we used in the magazine to discuss Italian identity in a less conventional form.

The first issue of Good Morning Italy brings together interviews and conversations with a wide range of figures, including Riccardo Silva, Kathrine Narducci, Gianluca Passi, Francesco Facchinetti and the already mentioned Premium Pete, Christopher Macchio, Elena Azzaro and Armand Assante. What connects these names is not only personal success, but their relationship with Italy as an origin, a cultural reference point or a symbolic space to reinterpret. After the presentation, the evening continued with a reception at Ferrara Bakery, hosted by Ernest Lepore and the Lepore family, still in the heart of Little Italy. This choice also had a precise meaning: closing the launch in one of the historic addresses of the Italian presence in the neighborhood.

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The Turin Book Fair opened today for its 38th edition, with workers putting the final touches on stands, books still stacked in boxes and forklifts moving pallets through the halls until the very last minute. In Pavilion 4, dedicated to younger visitors, large question marks painted on colorful walls symbolize the curiosity and big questions of children and teenagers — the true protagonists of this year’s event, inspired by Elsa Morante’s The World Saved by Children.

Opening day will also feature several institutional events. After the official inauguration, Italy’s Minister of Culture Alessandro Giuli will take part in a conversation with philosopher Massimo Cacciari, alongside Turin mayor Stefano Lo Russo and regional vice president Maurizio Marrone.

The fair continues to grow year after year, now spanning 147,000 square meters and hosting 2,700 events across 70 venues, with 10,000 additional square meters compared to last year. A major focus has been placed on younger audiences, with expanded areas for schools, workshops and interactive activities. More than 350 events will be dedicated to students and school groups.

One of the key additions this year is a new section curated by five young adults aged 19 to 25, designed as a space for discussions on contemporary issues. The project takes its name from Morante’s famous work and aims to celebrate curiosity, openness and the joy of discovery through reading.

Tributes to Elsa Morante can be found throughout the fair, including “Arturo’s Island,” a small collective stand hosting independent children’s publishers. Alongside literature and publishing, innovation also plays a central role this year: Pavilion 5 will offer professional training sessions for publishers, including demonstrations of new AI software and digital tools.

Organizers have also redesigned entrances and visitor flows to improve accessibility and reduce congestion. With the final preparations now complete, Turin is once again ready to welcome readers, writers and publishers for what director Annalena Benini describes as “a celebration where books and words coexist with playfulness and lightness.”

News Source: 9Colonne

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From May 12 to 15, New York will host the fourth edition of Italy on Madison, an initiative promoted by the Italian Trade Agency (ITA) to showcase Italian companies in the United States. Over the years, the event has gradually established itself on New York’s calendar of initiatives dedicated to Made in Italy, becoming a meeting point for companies, industry professionals and an international audience.

The aim is to connect Italian businesses with the American market through a format that combines trade promotion, networking and cultural storytelling, presenting Made in Italy not only as a product, but as an expression of style, craftsmanship and identity.

The project revolves around the presence of more than two hundred Italian brands operating across different sectors, from fashion and design to footwear, accessories, eyewear, beauty and food & wine. The idea is to offer a broad image of Italy’s production system, bringing together craftsmanship, industrial production, tradition and innovation.

The central venue will be the ITA Townhouse on Madison Avenue, transformed for the occasion into an exhibition and immersive space conceived as a journey through Italy. Each room is designed as a different stop along the way: design installations, fashion collection presentations and food and wine moments will accompany visitors throughout the day.

Alongside the companies, several figures from Italy’s creative world will also take part. Among them are Gilda Bojardi, editor-in-chief of Interni magazine, and designer Paola Navone, who is overseeing the creative direction of the initiative.

The program includes a series of public activities: talks, masterclasses, demonstrations and tastings will shape a schedule designed to encourage direct interaction and present the products in an experiential setting.

In this context, Italy on Madison presents itself as a tool for both economic and cultural promotion, with the aim of strengthening the presence of Italian companies in the U.S. market while also consolidating the image of Made in Italy.

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Good Morning Italy, the new editorial project by ilNewyorkese Network, will be presented on Thursday, May 14, in New York, with an event at the Italian American Museum, at 151 Mulberry Street, in the heart of Little Italy. It is the first print issue of the magazine and is titled Success. The Italian Way. We will present it from 6 to 7:30 p.m., with a public event followed by a reception at Ferrara Bakery & Café, just a few steps from the museum.

Good Morning Italy was created to tell the story of Italy to an international audience: Italians abroad, Italian Americans, people who love Italy and readers who want to understand it a little better, beyond the more familiar images through which it is often represented. It is not a magazine designed only to talk about food, tourism, beauty or nostalgia, although all these things are naturally part of the Italian imagination. The idea is to start from people: from their work, their stories, and the different ways in which Italian identity changes when it moves outside Italy.

The first issue is dedicated to success, but not in the most generic or motivational sense of the word. Success. The Italian Way brings together stories from cinema, sports, fashion, business, music, culture and the Italian American community, in an attempt to understand what it means to succeed as Italians, or as Italian Americans, in very different contexts.

The issue includes contributions and interviews with Armand Assante, Robert Davi, Kathrine Narducci, Riccardo Silva, Gianluca Passi, Francesco Facchinetti, Christopher Macchio, Bilena Settepani, Christian Di Sanzo and Premium Pete. The cover is dedicated to Fabrizio Brienza, an actor, model and well-known figure in New York nightlife, portrayed as an Italian who built his image in New York without fully adapting to American codes.

This is also why the presentation will take place at the Italian American Museum. The museum is located in Little Italy, in one of the areas most closely tied to the history of Italian immigration in New York, and tells an important part of the Italian presence in the United States: that of the families who arrived between the late nineteenth and twentieth centuries, of neighborhoods, associations, shops, churches, and an identity that has changed considerably over time. Presenting a magazine about today’s Italy and Italians around the world in that setting means bringing together the story of Italians who looked for a place in America and that of those who today move between Italy and the United States from very different starting points.

Speakers during the evening will include Marta Mammana, Deputy Consul General of Italy in New York; Fabrizio Brienza, protagonist of the cover story; and Premium Pete, a podcaster and well-known figure in New York urban culture. It will be an opportunity to introduce the project, present the first issue and explain the perspective with which Good Morning Italy wants to work: an attempt to tell the story of Italy through stories that may be very different from one another.

After the event at the museum, a reception will be held at Ferrara Bakery & Café, at 195 Grand Street. Ferrara is one of Little Italy’s historic businesses, founded in 1892, and is part of the commercial landscape that for many New Yorkers still represents the Italian identity of the neighborhood. Good Morning Italy starts partly from there too, and tries to answer a question: what remains of Italian identity when it changes language, city, work and generation, and how can it be told without always reducing it to the same symbols?

To attend the presentation, registration is available through this link.

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The Committee of Welcome of the Basilica of St. Patrick’s Old Cathedral and the Grow Together Foundation invite the public to a special evening dedicated to faith, history, and the art of storytelling. On Wednesday, May 13, starting at 6:00 PM, attendees are invited to a free screening in the Basilica’s crypt, located at 263 Mulberry Street, in the SoHo neighborhood.

The evening will feature the screening of two episodes from the acclaimed docu-drama series Martin Scorsese Presents the Saints — one dedicated to Saint Longinus and one to Saint Mary Magdalene — bringing to life the stories of figures whose humanity and devotion have inspired generations of believers.

There is something deeply meaningful about this event taking place within these very walls. St. Patrick’s Old Cathedral is not just a monument for Martin Scorsese — it is home. It was here, among the statues and the silence of this church in the heart of downtown Manhattan, that a young Scorsese first began grappling with the deepest questions about faith and the meaning of being human. As he himself recalled:

“I grew up practically living in Old St. Patrick’s Cathedral, contemplating and meditating on those statues, those saints — different saints — and wondering what their stories were: What is a saint? Is it something superhuman? Can they achieve something more easily than we can, we who are human beings? And of course I realized that no. The point is that they are human, and that there are aspects of them we can take as good examples to follow or as sources of inspiration.”

It is in that same spirit — of inquiry, of wonder, of discovering the human within the sacred — that this series was born, and it is especially fitting that it returns to the place where those questions first took root.

Following the screenings, Kent Jones — the series’ screenwriter, a prominent filmmaker, and a longtime collaborator of Martin Scorsese — will take part in a conversation about the series, its guiding vision, and upcoming episodes. He will be joined by Stefano Albertini of New York University.

The event is free and open to the public. Registration is required.

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The Italian Institute of Culture of New York held, yesterday, the presentation of the new issue of the New York City dedicated to the Italian cuisine, a recognition that celebrates the gastronomic excellence of the country and its cultural value in the world. To open the event was the reference to the role of Italian institutions in the world. “Our task is to work together with the consulates and communities to suggest to the Italian government what priorities are,” he said, underlining that UNESCO’s recognition represents “the victory of our chefs”, not only in New York but in all the United States. A passage that insisted on the contemporary value of Italian cuisine, described as “a kitchen that continues to reinvent itself every day”, far from the crystallized image of a immobile tradition.

The New York publishing project was presented as an example of this evolution. Born two years ago, it has already reached sixteen numbers and a growing audience. “We are an editorial project that is growing rapidly,” said CEO and Founder Davide Ippolito. Today the network reaches about five million readers a month, with editions expanding in different American cities and also abroad, up to Japan. The launch of the paper version of Good Morning Italy will be presented on 14 May.

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The new issue of the New York “La Cucina Italiana Patrimonio Unesco” was born from the joint work of institutions and operators of the sector. Among the contributions mentioned, that of the Minister of Agriculture, Food Sovereignty and Forests Francesco Lollobrigida and the support of the Italian Trade Agency. “We have organized many events to promote Italian cuisine in its authenticity,” said Erica Di Giovancarlo, ICE Director of New York; citing initiatives in New York, Chicago and on the occasion of the Summer Fancy Food Show. “Finally this excellence has been recognized”.

The first intervention was, that of Marta Galfetti, author of the column “The World Tour in New York”, which tells the neighborhoods of the city through the communities that live there. «New York is a city where you can travel without taking a plane», he said. The idea was born during the pandemic, when the movements were limited: «I remember one morning in Chinatown where I thought: I am traveling». From there a project was born that puts people in the center. “The most beautiful stories are those where you meet someone willing to tell you about their world,” he added, recalling the encounter with an old Greek in Astoria who led it in the neighborhood.

The UNESCO award has also been read in economic and logistics. Stefano D’Angelo, managing director of an active group in logistics, has emphasized the criticalities of the supply chain. “The challenge is to maintain authenticity and quality throughout the course,” he explained. In a competitive market like the American one, “they count efficiency and costs, but above all continuity and reliability”. If a product does not arrive in time, “it loses space on the shelves”. For this reason, he added, “Italian companies must be structured in the United States, with a presence on both sides of the ocean”.

A different point of view came from Ernest Lepore, restaurateur and historical figure of Little Italy. His intervention reconstructed the experience of Italian emigration through food. “Little Italy has always been a symbol of Italian identity,” he said. “Through food we have built a community.” Lepore insisted on the cultural value of the kitchen: “It is not only a matter of recipes, but of history and identity”.

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Chef Fabrizio Facchini retraced the work behind the UNESCO candidacy. “We organized events, dinners and initiatives with chefs and institutions,” he explained. Among these, a dinner in Paris dedicated to inclusion, with the participation of people with disabilities. “It was an important moment, not only gastronomic”. Facchini then stressed that today it is easier to maintain authenticity thanks to the greater availability of Italian products. “There are two Italian and Italian cuisines. They are different, but both tell an Italian story”.

A more personal story was chef Tony Grande, who arrived in the United States in the 1970s. “When I arrived there were no Italian ingredients,” he recalled. The dishes were adapted with what was found, often distorting the original recipes. “Today is different”, he said, recognizing the progress made thanks to the work of chefs and importers. “There is more awareness”.

The size of emigration has also returned to the intervention of Mario Terrana, an entrepreneur who arrived in the United States as a young man. “At first it was difficult, especially for the language,” he said. «I was afraid to speak». With time he built his career and today he looks at UNESCO recognition as a strengthening of the value of Made in Italy.

To close the meeting was the project Piazza Italia, presented by Marco Giovanelli. Born during the pandemic, it is a space for Italian companies in New York. “The idea was to create a community,” he explained. Not only offices and showrooms, but also events and meeting opportunities. The project is now expanding and will move to Times Square. “We want to be a reference point for those arriving in New York.”.

L’articolo The Italian cuisine World Heritage protagonist of the new issue of New York proviene da IlNewyorkese.

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A few weeks from the beginning of the FIFA World Cup 2026, which for the first time will be hosted jointly by the United States, Canada and Mexico, New York and New Jersey are finally understanding how to manage the welcome. This does not concern, in fact, only the matches – that will play mainly at MetLife Stadium, one of the central facilities of the tournament – but above all what happens outside the stadiums. The plan is aimed at transforming the entire city into a network of spaces dedicated to the vision of games and cultural events, accessible for free.

The initiative was presented by Mayor Mamdani and New York State Governor Kathy Hochul, who confirmed the creation of “Official NYNJ Fan Events” in all five boroughs. The project was created to replicate the experience of fans areas, which in the last editions of the World Cup – from FIFA World Cup 2014 to FIFA World Cup 2022 – attracted millions of people even without a ticket to the stadium. Mamdani wanted to underline just how for many fans the collective experience outside the plants was both central and sporty, even in view of the exorbitant cost that reached the tickets for the matches of these World Cups.

Since last October, when FIFA started sales for the FIFA World Cup 2026, ticket prices have been at the center of widespread criticism. The system introduced for this edition is that of the “dynamic pricing”, already used in other great sporting and musical events: prices vary over time according to demand, increasing significantly for the most requested matches. In the first seven months of sale, average rates grew by about 34 percent, with much higher peaks for the final or the competitions of the most followed nationals.

According to an analysis of The Athletic, between 2006 and 2022 a higher category ticket for the inaugural game cost, to updated values, between 500 and 630 euros; for 2026 you reach approximately 2,000 euros for the debut at the Estadio Azteca. For some matches in the United States, such as those expected in California, there are over 2,300 euros. The final, according to several estimates, is placed on levels comparable to events such as the Super Bowl, where prices can exceed 20-25 thousand euros on the secondary market.

In the United States and Canada re-sales is legal and FIFA has activated its own secondary official market, helping to further push prices. Additional costs are added to this: parking spaces managed by the same organization with average costs around 150 euros and local transport often more expensive than normal. In New Jersey, for example, the rail link between New York and the MetLife Stadium went from about 11 to almost 130 Euros back during the tournament. Also for this reason, the free initiatives spread in the neighborhoods become one of the main ways of accessing the World for most people.

The distribution in the five districts will also help to avoid an exclusive concentration in the most touristic areas of Manhattan. In Queens, the USTA Billie Jean King National Tennis Center will host the daily projections of the group stage from 11 to 27 June. In Manhattan, the Rockefeller Center will become a “Fan Village” in collaboration with Telemundo during the final stages, between 6 and 19 July. In Brooklyn, the Brooklyn Bridge Park will host daily events throughout the tournament, while in the Bronx the Bronx Terminal Market will be active on the first days. In Staten Island, the Staten Island University Hospital Community Park will offer evening screenings between late June and early July, with a new LED screen installed for the occasion.

According to estimates from the local organizing committee, these World Championships will have significant relapses on trade, catering and tourism, especially if distributed in the neighborhoods. In parallel, there are other major activations in the metropolitan area: a fan zone dedicated to Harrison, New Jersey, and a continuous programming to the American Dream Mall, one of the largest shopping centers in the United States.

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last fall, the General Council of Italians in the Far East supports the initiative “Giovani Expat: we give voice to the protagonists of change” of the National Council of Economy and Labor, to collect the testimonies of young Italians between 18 and 35 years studying or working abroad.

The aim of the project is to understand the experiences of the new generations living outside the national borders and to gather ideas and proposals to make Italy a more attractive country for young people.

For the purpose, the CGIE involves its Councilors and the Com.It.Es network. in the world to spread as much as possible the survey in their respective communities.

Participants in the initiative are invited to fill out an online questionnaire and to tell their experience through a video of a minute in reel format, to be uploaded to a specific platform.

This link to participate in the initiative: https://giovaniexpat.it

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On April 25, 2026, the Ace Hotel in New York hosted a Fashion Show Designer’s Contest that went beyond the simple aesthetics, turning the catwalk into a space of attention and meaning. Produced and presented by François Alexander and Aramis Alexander, the event brought together emerging designers and an international audience around a cause that still struggles to get the visibility it deserves: the sickle anemia.

The basis of the initiative is a commitment that has lasted for over thirty years. The charity – founded in Belgium by Mireille Zitu Mpanda Nzielo – was born to bring light on a genetic disease that affects the hemoglobin of red blood cells, causing chronic anemia, intense pain, organ damage and a significant reduction in life expectancy. Despite its gravity, it is still little known.

The idea is to use fashion to create attention. “Beauty and fashion capture the look,” shared Mireille Zitu Mpanda Nzielo. “And it is precisely at that moment that awareness finds its light. ”

Seven designers presented their collections: Camila Sarasty, Stacy Angela, Tanga, Heather Royal, Nailah, Chiara Carrasquilla and Paula Jewel, the latter successful winner of the ection thanks to her works that have distinguished themselves by originality and expressive force.

Beyond the competition, the evening revealed how fashion can become language. In a city like New York, where the image contributes to defining perception, the catwalk becomes a tool capable not only to show style, but to pay attention to stories that deserve to be seen.

The Italian note of the evening – embodied by the Italian-American model Nati Belluccia, of Sicilian origins – has strengthened the international spirit of the event, remembering how cultural identities, when they meet, can amplify messages that exceed each border.

In the end, the evening was not only a competition, but a meeting point between different worlds – fashion and awareness, aesthetics and meaning. Here, the style was not limited to telling itself: it illuminated.

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There is a photograph that is worth more than any statistics: one hundred and fifty young Campanians gathered at the Italian Institute of Culture in New York, to reason for the future, to talk about what can be built, not what has been left.

The history of southern emigration is one of the most recounted in Italy. Generations that leave, often without return ticket. The South that empties its universities, its families, its neighborhoods, and then looks at their children to stand elsewhere, proudly mixed with a point of resignation. Like leaving, by definition, goodbye.

What 081 is trying to prove is that it should not be like this. What to start today can also mean to accumulate something, skills, capital, network, vision, with the explicit intention of bringing it home.

The event opened with the institutional greetings of Alessandra Oliva, Consul Aggiunta d’Italia in New York, and Claudio Pagliara, Director of the Italian Institute of Culture, who stressed the value of these informal networks in strengthening the links between Italy and its community abroad. Then he took the word Umberto Lobina, president of 081, who told the three years of the organization with the concreteness of those who know that the numbers count, but not enough.

More than 50,000 euros donated to startup bells. More than 100 entrepreneurs put in contact with international funds. The stated goal: bringing private capital allocation to the South from 5 to 10%. Small numbers compared to the size of the problem, perhaps. But real numbers, in an area where vacuum is still the norm. And then the less financial, but not less important: the remaking of a fountain in the Sanità district, an open-air gym. Because the territory is not just a market to develop, it is a place where you live.

Among the interventions that marked the afternoon, that of Prof. Antonio Giordano, founder of the Sbarro Research Organization, scientific institution of reference in the panorama of international oncological research, born precisely from a son of Naples who built in the world without ever cutting the thread with his own land. A trajectory that already says everything about the type of history that 081 wants to multiply.

Italo Bocchino, journalist and former parliamentarian, brought a political and cultural reading of the phenomenon, reasoning how much the Mezzogiorno needs a ruling class that knows the world and has chosen to serve it.

Massimo Petrone, of Petrone Group, has emphasized how reality as 081 are fundamental to favor the return to the South of children with experiences matured abroad, how to attract skills and international networks is now more important than attracting only capital. He then added a concrete figure that says a lot about the state of things: Naples is now directly connected to New York, Atlanta, Philadelphia, Chicago and Montreal, with daily flights operated by United, Delta and American Airlines. A connectivity that until a few years ago was unthinkable, and that makes the return, even only temporary, much less complicated than the narrative about the isolation of the South would let it mean.

The moderation of the event was entrusted to Davide Ippolito, editor of New York, and the evening was one of those in which he came out with the impression of having witnessed something unpredictable.

To close, 081 presented what it calls its “equation”: universities, incubators, investors. A virtuous triangle, innovation that is born inside the universities of Centro-Sud, which transits through acceleration structures, which finds capital ready to bet. Simple to state, tremendously difficult to build. But at least, someone is trying to do it by method.

A thanks goes to the board of 081, composed by Dalila Ferrara, Mario Farina, Antonio Ciardiello and Martina De Nigirs and the sponsors that made the evening possible, E. Marinella, Caffè Borbone, De Nigris, Mionetto, La Piadineria and RED | OAK, thanks to which approximately 10,000 dollars were collected in support of the next initiatives of the association.

There are so many Neapolitans in the world who have done well. Some very well. Doctors, researchers, entrepreneurs, professionals distributed between New York, London, Dubai, San Francisco. For a long time, that dispersion was read only as a loss. And in part it is, it makes no sense to deny it.

But something’s changing. Starting is no longer necessarily a surrender. Among these one hundred and fifty boys in a Manhattan hall were those who made good fortune in New York, who works in finance in London, who opened a company in Dubai. And all were there to reason of Naples, of startup bells, of how to move a needle that has always moved little. It’s not nostalgia. It is something more pragmatic, and perhaps for this reason more credible.

The article Hundred fifty Neapolitans in New York, with a plan for the South. It’s from IlNewyorkese.

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