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Strike, Yes, But When to Strike?

Today I returned from Romania, shaken by the first European case of elections to be redone due to illegitimate Russian influence, only to find Milan in chaos. A public transportation strike—once again on a Friday. The Regional Administrative Tribunal (TAR) rejected Transport Minister Salvini’s request for mandatory arbitration, resulting in a full 24-hour strike. “Wild,” as they used to call it. Translated: maximum disruption and inconvenience for fellow citizens, especially considering Christmas is just ten days away and urban mobility already feels more like a nightmare than a right. But speaking of rights, who’s in the right here—the unions or Salvini?

Let’s answer without falling into the usual ideological, black-and-white, 20th-century trap of master versus proletariat. Millennials wouldn’t understand it without a translator—try asking the HR heads of major companies, in Italy and beyond. To be clear, the right to strike is sacred. It was hard-won by workers and remains a cornerstone of labor rights. On the merits, the demands of any particular category deserve the utmost respect and understanding. However, there’s a “but.” What about the rights of all other citizens—in terms of mobility, time, lost wages, and peace of mind?

When a protest becomes systemic, happening nearly every Friday (as if divinely ordained, though divinity isn’t a very union-friendly concept), it must remain brief and ensure adequate service windows. Otherwise, the so-called “wild” strike invites other forms of savagery, turning democracy and its delicate balance into a jungle. This time, an urban jungle—but only the aesthetic worsens, not the unbridgeable gap of the 21st century.

Claudio Brachino

Claudio Brachino

Claudio Brachino holds a degree in Letters and Philosophy from Sapienza University of Rome. He is known for his versatile career as an author, journalist, and editorial director. He has written plays and essays, including "La macchina da presa teatrale." In 1987, he began his journalism career with the Fininvest group, contributing to the success of TV programs such as "Verissimo" on Canale 5. He has held key roles within Mediaset, directing flagship programs like "Studio Aperto" and "Mattino Cinque," and also served as the director of Videonews. Currently, in addition to being an editorialist for Il Giornale and a commentator on La7, Brachino is also the director of the weekly Il Settimanale.