Interviews

Ferzan Özpetek, Turkish director, screenwriter and writer naturalized Italian, is one of the most poetic and recognizable voices in contemporary cinema. With films such as Le fate ignoranti, La finestra di fronte and Mine vaganti, he has chronicled the intimacy […]

Arvedo Arvedi is an out-of-the-box artist, not only for the path that led him to become a painter-after having been a farmer, an event organizer and a tourism executive-but also for the gaze with which he reads the world. Veronese

Gianluca and Massimiliano De Serio, twins born in Turin in 1978, are directors and visual artists who have been collaborating since 1999. Their best-known works include Sette opere di misericordia (2011), which debuted in the international competition at the Locarno

Fabrizio Gifuni is one of the most appreciated actors and theater directors on the Italian scene. In recent years he has established himself as a performer capable of dealing with complex and layered characters, working with directors such as Giuseppe

Davide Ippolito – founder of ilNewyorkese – interviews Hon. Christian Di Sanzo, a Member of Parliament elected in the Foreign Constituency (North and Central America), to delve into one of the most hotly debated issues among Italians abroad: the recent

Andrea Prencipe is an organizational scholar and former rector of Luiss University – Libera Università Internazionale degli Studi Sociali Guido Carli in Rome. He is known for his studies on innovation, organizational transformation and learning processes in businesses and universities.

Riso Acquerello is a world-famous Italian excellence. The world’s most Michelin-starred chef, Alain Ducasse, called Acquerello “the Rolls Royce of rice”; renowned Swedish chef Fredy Girardet called it “the soul of Carnaroli,” pointing out that “it is part of the

It is not uncommon for an Italian architectural firm to start looking beyond national borders with a mixture of ambition and curiosity. Studio AMAA, for example, was a small firm-in relative terms-until two or three years ago. Since then it

A year after her last time, Irene Maiorino is back in town. Things have changed-as they always do in New York-and she, too, has changed in the meantime. It is a return that brings many things with it. Starting with

“So, first of all, here we are at one Bond Street,” says Barbara Torasso, casually pointing to the building. It’s an imposing building, but not opulent-it has that rugged sobriety typical of New York industrial structures of the Roaring Years.